Briefly, on Instagram

Tech Life

I can’t say I didn’t see this coming. When Facebook acquired Instagram I suspected it would come to this, eventually. I remember I stopped posting snaps for a while, then I got sucked in the routine again. I should have stopped for good. Well, the time has come. I’m tired of Instagram. What irked me most of this recent change to the Terms of Service, surprisingly, wasn’t really the change itself, but more how it was handled. 

A lot of people have written at length about this faux pas on Instagram’s part, so the best I can do is to point to a couple of good reads. First, I really enjoyed Mat Honan’s Why I Quit Instagram, especially when he writes:

I believe Instagram should be able to make money. Facebook telegraphed that something like this was coming just last week, and my reaction at the time was “good.” I was happy that Instagram had a revenue model. It isn’t a charity. And companies that don’t make money are doomed to fail. Facebook paid a lot of damn money to buy Instagram, and it’s natural to want some return on that.

Yet I also believe it’s wrong to take people’s photos – out of context – for use in advertisements. With no way to opt out.

The issue is about more than using photos of my baby daughter, or deceased grandmother, in ads. The greater concern should be that the company would forge ahead with such a plan without offering any other option to the very users and data that built it.

There are a lot of other ways to make money. Sell an ad in the stream. Sell an ad on individual users’ pages. Sell an ad against search results, and another for tags that relate to upcoming events. Offer “pro” features — like special filters or promoted profiles. I’m no expert here, but I don’t have to be – clearly Systrom and Krieger know how to make a buck.

Which were exactly my sentiments when I heard about the upcoming changes.

Instagram responded rather quickly to the situation, trying to clarify and course-correct with their Thank you, and we’re listening piece. Sorry, but in my view, this rushed ‘clarification’ has had the effect of actually muddling things up. And I wasn’t the only one noticing that. Read this great article by Nick Asbury: Instagram didn’t get the tone wrong, because he express my very same thoughts and doubts more briefly and clearly than I could:

This was the main offending paragraph in the terms and conditions:

To help us deliver interesting paid or sponsored content or promotions, you agree that a business may pay us to display your username, likeness, photos, in connection with paid or sponsored content or promotions, without any compensation to you.

There is nothing wrong with the tone of this paragraph. It scores highly on clarity, using plain language, active verbs, personal pronouns (us and you) – all the things writers go on about every day.

There is a lot wrong with the content of the paragraph, at least according to thousands of Instagram users. But that’s not a language issue – it’s a policy issue. Any writers trying to use this as an example of the importance of ‘tone of voice’ are misinterpreting the problem. To an expert in tone of voice, every problem looks like a tone of voice issue.

The situation isn’t helped by Instagram’s disingenuous ‘clarification’, which tries to imply that this was all a miscommunication caused by ‘confusing’ language.

Again, this statement from Instagram has been hailed in various places as a good example of crisis communication – clear and helpful in the way the Ts and Cs weren’t.

But again, this is completely wrong. The Ts and Cs were absolutely clear, even if their content was controversial.

By contrast, the ‘clarification’ is slippery, mealy-mouthed and contradictory.

Analysing the Advertising on Instagram section of the afore-linked ‘clarification’ by Instagram, Nick Asbury writes:

This sounds pretty good at first – the blunt honesty of ‘Instagram was created to become a business’ (actually a meaningless truism) and ‘To be clear: it is not our intention to sell your photos.’ But there’s some really slippery stuff going on. Note how ‘it is not our intention to sell your photos’ isn’t the same as saying ‘we won’t sell your photos’. Despite the forthrightness of the tone, the message is still unclear – will you or won’t you?

And that’s the point. Will Instagram sell our photos or not? All this situation keeps sending mixed signals, and it almost feels as if Instagram didn’t really think their strategy through before announcing the changes. Maybe, in classic Facebook style, they thought that most people simply wouldn’t notice or couldn’t be bothered to react or take action, and when things went a bit differently than expected, the backtracking and course-correcting started. But in my view, they just ended up tripping over their shoelaces. And I’m getting tired of these things. I’m getting tired of companies who disrespect their user base with controversial actions and delivering patronising speeches the way politicians do. People made Instagram successful, and this is what they get in return.

So I’m through with Instagram. As I wrote on The Quillink annotated, I’ll stop uploading photos before the Terms of Service changes take effect, and I’ll limit my use and presence on Instagram to a sort of ‘read only’ mode, by keeping on following my current contacts, and liking and/or commenting their photos, because I respect their will to keep sharing their shots, and many people I follow don’t just upload what they had for breakfast or lunch, but truly amazing photos worth acknowledging.

As for me, you’ll find me on Flickr, where I’ve always been since 2005. I’ll keep posting a daily photo over at Momentile, and I’ll keep maintaining Type Happens, my (sporadically updated) photoblog on found typography. I still don’t know if I’ll migrate my previously posted Instagrams in a dedicated photo set on Flickr, or if I’ll start a personal Instagram-style photoblog. Anyway, there are so many ways to share our photos out there today. So, bye-bye Instagram.

My first month on App.net

Tech Life

For those of you who still have no idea what App.net (or ADN, short for ‘App Dot Net’) is, head over to its website, where you’ll find a very good brief description: App.net Is an Ad-Free Social Network — It’s your real-time feed, a home for meaningful conversation, where you control your data. Find the apps you love and make App.net your own. Connect, play, and discover. Another, much less fair, description I’ve heard is that App.net is a Twitter clone, only you pay for it instead of it being free. Those who believe this should really read the 7 core values on App.net’s homepage to better understand how the similarities between App.net and Twitter are merely superficial — both platforms feature short status updates and both platforms use the same interaction paradigm among their users (@replies, #hashtags, etc.), for example — but their underlying models couldn’t be more different. We are selling our product, NOT our users, claim App.net’s founders on the homepage, and this is probably the most important reason why I was attracted by App.net in the first place.

Admittedly, when Dalton Caldwell announced his audacious proposal, I was intrigued but also a bit sceptical about the success of his App.net project. I wanted to be one of the initial backers, but at the time I was experiencing a rather disastrous financial phase, so I had to take a sort of ‘wait and see’ position. When the project took off I was genuinely happy for everybody involved, and eventually joined in.

My first days on App.net were both very similar and subtly different from my first days on Twitter. As when I started with Twitter, I looked for people I knew, started following them, looked for clients to use on my Mac, iPhone and iPad, and began posting and interacting. The differences are more interesting, though.

Firstly, when I moved my first steps in Twitter, back in March 2008, I didn’t exactly know what I was doing. Twitter was already 2 years old and a big social network at the time (I’m user No. 14,082,976), and I joined pretty much out of curiosity and because a few people I know and trust were already using it and were praising its coolness + usefulness. But it took time for me to get the hang of it. What catches most Twitter novices unprepared is the apparent lack of ‘reward’: they tentatively post some tweets, or maybe reach out to some acquaintances or some well-known Internet figures, and when they don’t get any response or acknowledgement, they start thinking What am I doing here? What’s the point of this? It’s exactly what happened to me at first. I had to leave for a while, rethink the approach, observe more, re-set the expectations, and then things got better. 

A breath of fresh air

With App.net, there have been no ‘insertion’ issues at all. Obvious, you’ll say, if it works like Twitter and you’ve been an active Twitter user for more than four years, you’re surely well trained for this. It’s true, but things have been going quite smoothly also because App.net is a different place. With App.net, I have noticed how its core values and fundamental principles also shape the way people use it and behave in it. 

One unexpected thing that happened just a few days after I joined and started posting/interacting was the amount of strangers who were responding to my posts and following me. I’m not talking big numbers here — I’m not a ‘celebrity’ — but still, when I joined App.net I basically looked for a bunch of people I already knew on Twitter, added them, they added me back, and really, at that point (3 days in) I was expecting just a few interactions with them, nothing more. And then it hit me: one thing I found myself doing more often than not (and probably what these strangers interacting with me were doing as well) was reading the Global timeline, something that never made sense on Twitter because of the sheer amount of its users. But on App.net, a much smaller community, the pace is still slow and manageable. That, and the fact that another (good) thing you can do in App.net is to show mentions directed at users you don’t follow. Which was possible on Twitter, too, before they decided to break how replies worked. Thanks to these factors (small community, manageable Global timeline, ability to see whom those you follow are interacting with), discovering and getting to know new people on App.net is easier.

Social network? More like community, actually

But what really stands out, for me, is the atmosphere. So far, it’s probably what I like most of App.net. First of all there’s that different pace I was mentioning before. The feeling is of a quieter place than Twitter, and not only because it’s a much smaller place. People seem more relaxed, friendlier, more willing to engage in long conversations and more willing to include you if you join in a conversation long after it’s started. With Twitter, I think social network; with App.net, I think community. This is the core difference, in my opinion. Two main things drive people towards this behaviour, I believe: the paid membership model, intertwined with ‘the cause’. An App.net member may be a stranger to you, but you’re both on App.net because you both have decided to pay for a better online social experience and because — explicitly or not — you both agree to ‘the cause’, i.e. the set of core values on which the founders chose to build and develop App.net.

So, when someone starts interacting with you out of the blue, you don’t tend to think Who the hell are you? (as it may happen on Twitter). Instead, you feel like you just moved out of the big city, to a smaller town, and you’re surrounded by friendly neighbours who have come here for the same reasons: to escape the urban alienation, so to speak. Maybe it’s just how I feel about it, but I have the distinct impression that App.net ‘citizens’ see one another under a different light than Twitter users. There’s this ‘let’s build a better place together’ feeling that is a refreshing change from the somewhat jaded atmosphere on Twitter. It leads to a better, more constructive dialogue, not just passing exchanges or quips. 

Then there’s a technical detail that makes for deeper, clearer conversations: a post on App.net has a limit of 256 characters, not 140. Perhaps it doesn’t look much at first glance, but you have no idea of the difference it makes to have 116 more characters at your disposal. You feel less constrained, and often you can explain better what you think or what you’ve observed. I think this has been a great design choice for App.net.

Another positive effect of App.net’s paid model is that having to pay, even if it’s as little as $5 per month, is proving to be a rather effective method to keep spam and ‘bot’ accounts at bay, two of the most irritating things I notice on Twitter as a user. So far, I have 29 followers, but they’re all ‘real’ people, not brands or spammers or bots that started following me because I tweeted certain keywords like ‘ebook’, ‘Mac OS X’, ‘iPhone’, ‘translation’, ‘writing’, etc. This helps in making things a lot more relaxed overall. 

What about Twitter now?

Since I joined App.net, a few people have asked me whether I’m planning to leave Twitter or not. I have some friends who are positively fed up of Twitter and have gone App.net-only since day one. I really dislike the direction Twitter has taken in recent times, how it has treated third-party developers, how implicitly treats its users, how it’s ruining what both developers and early adopters have made for it and with it. I have always experienced Twitter through the filter of a third-party client (Twitterrific), though, so I can’t really say that my experience interacting with the people I follow and my followers has worsened. So I think I’ll stay both on Twitter and App.net for a while, but the more Twitter keeps messing things up with users and developers, the more I’ll be willing to migrate to App.net completely, using my Twitter account just for announcing new posts in my blogs, and for replying to comments, keeping the interaction to a minimum.

Flickr 2.0

Tech Life

A whole new app

The other day, Flickr published an update to its official iPhone app and I must say it’s a remarkable improvement over version 1.x., to the point that it really feels like a whole different app. The previous version wasn’t particularly bad, but UI-wise it didn’t look all that different from the mobile version of Flickr’s website. Flickr 2.0’s redesign was made to further emphasise the ‘social’ aspect of the venerable photo-sharing service. Many observers were quick to point out how much ‘Instagram-inspired’ the new version looks, but it’s not bad at all, and the approach doesn’t lack originality. I especially like the Contacts timeline navigation: you scroll down and see the most recent photo of each contact, but if you start swiping to the left, you can explore each contact’s photostream right on the spot. It’s a clever, simple, well-executed idea. The whole app feels smoother, more polished, and generally more useful. I like how the Flickr team has removed a lot of friction in finding and adding new contacts, and the Activity section is really well laid out.

Flickr is dead. No wait, it’s alive!

For months, on the Web and on Twitter, I’ve been reading of how ‘Flickr as a community is dead’, of how ‘Flickr is a desert’, of how ‘Flickr is not social enough’, of how ‘Flickr is not mobile enough’, of how ‘Instagram killed Flickr’, and so on and so forth. And now it seems there’s some sort of Flickr renaissance simply because the new version of the official iPhone app has removed a little bit of friction. On Twitter I couldn’t resist quipping: The fact that people were waiting for a better iPhone app to ‘go back enjoying Flickr’ says a lot about their laziness… Let me elaborate on this a bit.

Flickr, as a photo-sharing service, was born in the pre-iPhone era, when sharing photos meant photos you took with a proper camera, and when uploading, tagging, exploring other people’s photography, interacting with other members, and participating in forum discussions were all things you did from a computer. Then came the iPhone and the revolution it brought, especially starting from the 3GS, when you could take nicer photos with the 3‑megapixel built-in camera. Taking snaps and sharing them instantly was getting easier and easier and with the advent of Instagram we all could see how it was possible to build an entire social network on that simple sharing model, with a touch of vintage stylish filters and, more importantly, around a single platform and a single device — iOS and the iPhone.

With the constant improving of the iPhone’s camera, first with the iPhone 4, then the 4S and now with the 5, an increasing number of people have taken to use the iPhone as their only digital camera (or at least the camera they use the most). The combination of iPhone and Instagram has created a powerful point-and-shoot-and-share phenomenon which is so ‘viral’ that every other photo-sharing model looks painfully slow and awkward in comparison. This, I think, is what made a lot of people neglect Flickr. 

(Brief aside: let me tell you, that kind of defection wasn’t all that bad: lots of casual users who uploaded dozen of crappy shots at a time — mostly taken with terrible point-and-shoot cameras or cameraphones — had finally found easier to upload those crappy shots on Instagram, and make them just a little less crappy by using Instagram filters. So, from this point of view, Flickr members like me who have always been in for the quality could utter a sigh of relief.)

As I have said more than once, convenience and quality haven’t always been a successful marriage when it comes to photography. A lot of people have embraced the Instagram way of sharing simply because it’s perceived as faster and more convenient than the ‘old’ way of taking a memory card out of a camera, transferring the photos on a computer, choosing the keepers and uploading them to a place like Flickr. And yes, it’s faster and more convenient, I’m not denying that, but in my opinion it also sacrifices quality for the sake of speed and convenience. And speed and convenience are just what (lazy) people want from today’s technology. So, make the experience more Instagrammatic, and people are more than happy to rediscover you and your service.

So what if it’s not like Instagram?

When pundits were deep in their ‘Flickr is doomed’ phase, some of them suggested that Flickr should follow more closely in Instagram’s footsteps, because Instagram got the mobile, social and sharing parts right, and if Flickr didn’t do something of that kind, the risk was a stagnant, withering community. At that time I was too busy to express my point of view with a proper post, but I jotted down some infuriated notes, like “So what if it’s not like Instagram?” and “Community’s very much alive from where I stand”. 

What I mean is that, first of all, as a long-time Flickr member, and as someone who has never stopped using Flickr, I haven’t really noticed a stagnant community around me. Sure, some contacts have gone quiet, but new ones have appeared, and a lot of groups I follow (especially those revolving around film photography) have maintained a very healthy activity over the years, seemingly unaffected by the Instagram-mania. 

At a certain point I also thought: even if the Flickr community has indeed shrunk and now who’s left are those who really care about the quality of the photos they upload and share, well… so be it. I was starting to think that Flickr’s disregard for a proper standalone mobile application was intentional, a move to drive snap-happy smartphone shooters towards more suitable services and transform Flickr into a distinguished community of pro and semi-pro members, of people whose idea of good photography goes a little beyond the application of faux vintage filters. And whose idea of feedback and discussion goes a little beyond a ‘Like’ button and a quick appreciation shorthanded with emoji icons.

Snobbish? Perhaps. Why not? I was even ready to pay more per year, if the shrinking of Flickr’s general community demanded a higher cost for existing ‘pro’ members to help sustain the service. 

Instagram and Flickr, as I see it, represent two very different ways and models of sharing photos, and I can’t resist making the fast food/slow food analogy. Why can’t both be prominent? Each has its strengths and I believe it could be interesting if their differences were to be emphasised rather than blurred. That’s why I never agreed with those who claimed that Flickr should ‘freshen up’ by following Instagram’s model. Flickr and Instagram are two different, very distinct methods of expression through the use of images. At least for me: most of my Instagram shots have a fundamental diaristic element. They are a collection of almost-daily fragments, glimpses, impressions, sketches. They catch ephemeral moods, passing feelings, they’re the graphical equivalent of tweets. On the other hand, the photos I post on Flickr, at a much slower pace, are the result of a careful selection process aimed at delivering something more permanent and ‘artistic’. The interface is different. The language is different: Sets and Collections for me are terms that inspire the creation of photographic projects, or small geeky series like The setup, Of Macs and men, The return of the 5.25″ or IBM WorkPad. The few Instagram shots that I also upload to my Flickr account are themselves a result of an accurate selection, not just mere, automatic crossposting.

So, on one hand I’m glad that the new Flickr 2.0 app has revived Flickr a bit in the eyes of pundits and snappers out there, and I myself have registered quite a spike in activity around my photos and contacts. On the other hand, I hope these differences in models and languages will remain and that Flickr won’t become just another Instagram lookalike, both in language and contents.

Keeping MarsEdit drafts in sync

Software

I have been using MarsEdit since around 2006, and it is without doubt the best tool for managing and writing on blogs. Most of the times, my MarsEdit workflow is really simple: I sit at my desk and write my articles, like I’m doing right now. But not always an article is born, developed, finished and published on the same Mac. Since I keep my main machine, a MacBook Pro, mostly in a desktop configuration, and I’m occasionally working elsewhere, I also rely on two other Macs, both still quite dependable: a 12-inch PowerBook G4, and a 17-inch model. Thus, it’s not infrequent that I start writing down ideas in MarsEdit on either of those PowerBooks when I’m on the move, to then finish and do the final edits at home on the MacBook Pro. Or vice-versa. How to keep things in sync?

True, if I start writing a post on the PowerBook G4 17″, I could simply finish it on the same machine once I’m back home. Or, when I start on the MacBook Pro, I could then bring the MacBook Pro with me, etc. The fact is that I don’t have a comfortable spot in my flat or home office where I could sit and finish things with the PowerBook. And the MacBook Pro is connected with a bunch of peripherals that it’s simply better to leave it there as a desktop machine rather than disconnect everything, especially in cases where I have to just grab a laptop and go away, without much time to plan things in advance. I figured that some way to synchronise things would be a much more hassle-free option.

Being a fan of Notational Velocity, my obvious first solution was to start writing articles there, and then have them ready on whatever machine I planned to finish working on them. It was just a matter of copying and pasting from NV to MarsEdit. The good: flawless, invisible syncing. The bad: not having the little handy tools MarsEdit gives you for text and HTML formatting. Sure, I usually rely on another great tool — TextExpander — for automatically insert HTML tags, but I really missed handy features like copying a link from Safari and just adding it to the selected word with a shortcut. In a nutshell: I liked the syncing, I missed MarsEdit’s interface for writing.

The next thought was: why not use Dropbox? I then proceeded to locate MarsEdit’s Draft folder ([username] /Library/Application Support/MarsEdit/LocalDrafts), create an alias of it, and have the alias point to the original LocalDrafts folder now moved to Dropbox. So easy and too good to be true, I thought. It turns out that this method doesn’t work: after moving the folder, opening MarsEdit, and clicking on Local Drafts in the left sidebar, all the previously saved drafts were nowhere to be found. Evidently MarsEdit doesn’t like having to deal with aliases, but only with true folders.

After thinking about it some more, I managed to find a solution that works for me. It involves splitting the sync workflow a little, but it works. 

  1. I created a MarsEdit/Drafts folder in my Dropbox folder.
  2. On the MacBook Pro, I set up a new rule in Hazel to sync the contents of the original [username]/Library/Application Support/MarsEdit/LocalDrafts folder to that other Drafts folder in Dropbox.
  3. Now, if the other Mac had been an Intel Mac with at least Snow Leopard installed, I could have done the exact same thing in Step 2, but in reverse. I.e., set up a rule in Hazel to sync the Drafts folder in Dropbox with the local MarsEdit Drafts folder. Since the other Macs are two PowerPC machines with Mac OS X 10.5.8 Leopard on them, I simply chose another folder syncing software to do the same thing. Again, here your mileage may vary. I wanted something really simple and that also gave me a bit of manual control on the sync process, so I opted for Matt Neuburg’s SyncMe2 (scroll down a bit in that section and you’ll find it). It’s free, it’s solid software written by someone I trust, and I like that it lets me cherry-pick the files to syncrhonise, if I’m so inclined.

As I said, if you just have to keep MarsEdit’s drafts in sync between two Intel Macs, the cleanest solution is probably to have Hazel handle the sync via Dropbox. If you sync between an Intel Mac and a PPC Mac, it’s only a matter to choose what folder syncing application best suits your needs.


 

Update, December 15 — Luca Soldaini, via Twitter, suggests a possibly simpler solution: using symbolic links (symlinks) instead of aliases. It’s a clever idea, and admittedly I did not think about that (I don’t happen to use symlinks that often). I have tried it and can confirm it works. 

The fundamental mechanism is similar to creating aliases: you put the [username]/Library/Application Support/MarsEdit/LocalDrafts folder in a folder or subfolder of your choice inside Dropbox, then you specify a symbolic link that points to that folder and you place the symbolic link where the original LocalDrafts folder was (in [username]/Library/Application Support/MarsEdit/).

Creating symbolic links is a process that usually involves the Terminal (enter the Terminal and type man ln for more information). But there are also simpler, GUI-based solutions. This 2010 article on Macworld explains how to create a symlink using a shell script and Automator, and also points to another Macworld article where they suggested creating symlinks with AppleScript. But it also points to what is probably the most painless solution: SymbolicLinker, a piece of software created by Nick Zitzmann. 

It’s a free download and consists of a plugin (for Macs running Mac OS X 10.5.8 or earlier) and a service (for Macs running Mac OS X 10.6 or later). Once installed — make sure to read carefully the installation instructions — you will have a new functionality for creating symbolic links via a Finder contextual menu, and it’ll be as easy as creating an alias. Once you’ve installed SymbolicLinker, the method for synchronising MarsEdit’s LocalDrafts folder is simple:

  1. Drag the original [username]/Library/Application Support/MarsEdit/LocalDrafts folder in a folder or subfolder of your choice inside Dropbox;
  2. Right-click or Ctrl-click the LocalDrafts folder in Dropbox and choose Make Symbolic Link from the contextual menu (if you don’t see the command, look under More… at the bottom of the contextual menu if you’re on Leopard, or under the Services… menu if you’re on Snow Leopard and later);
  3. SymbolicLinker will create a folder called LocalDrafts symlink: drag this folder where the original LocalDrafts was (inside [username]/Library/Application Support/MarsEdit/) and rename it to just LocalDrafts;
  4. Repeat Steps 2 and 3 on the second Mac. This way, both Macs will point to the same LocalDrafts folder inside Dropbox.
  5. That should be it!

It is actually easier done than explained. The great thing about this method is that the sync process is ‘invisible’ to the user and totally automatic. Open MarsEdit on Mac 1, write, save the draft, let Dropbox work its magic, go to Mac 2, open MarsEdit, select Local Drafts in the sidebar, and there you have all your drafts in sync. My original method is still valid if you want to have a more fine-grained control over what gets synchronised between the two machines and don’t want everything done automatically behind the scenes. Again, if you choose to install SymbolicLinker, make sure you read the installation instructions carefully.

Make a Donation to the Internet Archive

Handpicked

InternetArchivepetabox

The Internet Archive is an incredible, invaluable resource. As Jason Scott rightly says: 

The Internet Archive is a non-profit (that, I disclose, I work for as a “free-range archivist”) that has, since the mid-90s, provided many petabytes and millions of items for free, to the world, to better the world along the way. Movies, radio, books, TV news, software, you name it… the Internet Archive has it, and continues to make it go for everyone. Every day, every night, with an eye on “forever” as a goal, and not just “until we try to sell you an upgrade” or “until we’re bought by someone else”. It’s a library and an archive and it just kicks ass. 

I’ve been using the Internet Archive mainly to discover and read huge amounts of stuff I either didn’t know existed, or didn’t even imagine to find again. The WayBack Machine alone has helped me to retrieve useful resources (images, articles) from websites that have been updated, changed or deleted/abandoned over time. And I guess you did the same. 

Now the Internet Archive needs our help:

A generous supporter has offered to match every dollar we raise 3‑to‑1 through December 31st. We are trying to raise $150,000 in donations by the end of the year — with the match, that will give us $600,000, enough to buy 4 more petabytes of storage.

Help us keep the library free for millions of people by making a tax-deductible donation today. 

It’s only fair to give a contribution also as a way of saying Thank You. You can donate through Amazon, PayPal, or use the Internet Archive’s Bitcoin Address.

I’ve set up a little reminder on the footer of my website, and I’ll leave it there until the end of the year. Now go donate!