Compute! Magazine and others now available online

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Compute magazine Issue 46

Cover of Compute! Magazine, Issue 46, March 1984

Jason Scott writes:

Compute! was one of the biggies, one of the magazines you’d see down in the magazine rack at the bookstore and which was filled with bright, happy pages promising the world if you just typed in one of the programs, or which gave an optimistic outlook on how much wonderful stuff you could do with computers. If you subscribed to it (or merely bought every issue, like I tended to), then Compute! was a centerpiece of your computing experience at that time.

Well, here you go. Here’s every single issue of Compute! Magazine [1979–1994] on archive.org.

Go ahead, browse around. You can open any issue, read it online, or download a PDF or kindle/e‑reader-ready version, and look back on that awesome time, with breathless ads and helpful tips and ideas on what the next best thing was going to be, with the added advantage of knowing when they were right and wrong. Smile with knowing delight as someone predicts the future, and wince when they get so close but not close enough. The fact that nearly every person ended up becoming a self-contained GPS, communications and information hub wasn’t really on the horizon, so in many cases they’re amazingly off, assuming that machines would continue to be tethered to desks and the phone system would be a constant thorn in the side with its zone calls and strange mechanics.

And that’s not all. On the Internet Archive you will also find:

- Compute! Gazette, a spin-off of Compute! Magazine, focussed on Commodore machines (all issues)

- Antic Magazine, an Atari-oriented periodical (all issues)

- Ham Radio Magazine (all issues)

- DieHard, the Flyer for Commodore 8bitters (all issues)

- Big-K-Magazine, a UK magazine for 8‑bit computers

- Your Commodore Magazine

Last but not least:

- SoftSide Magazine, a defunct computer magazine, begun in October 1978 by Roger Robitaille and published by SoftSide Publications of Milford, New Hampshire. (From the description at the Internet Archive page).

A final word of warning: if you’re over 30 (or just an incurable nerd), you will spend hours and hours browsing these magazines.

Run new media center software on your first generation Apple TV

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Source: How-to: run new media center software on your original Apple TV

Jacqui Cheng:

I recently ran into my first-generation Apple TV during a spelunking expedition into the depths of my home office closet. After upgrading to a second-gen Apple TV last year, I had actually forgotten the old one was in there. The rediscovery piqued my curiosity. Though I have long avoided performing jailbreaks on my Apple products, the old Apple TV gave me a chance to find out what else I could watch on this thing besides iTunes content.

You can actually watch all manner of other content on an old Apple TV if you’re willing to tinker. The two most popular software interfaces are a version of Boxee and a version of XBMC, both designed for the original Apple TV. Here, I offer you a chronicle of my own experiences setting up these both solutions, and show you how to do the same.

The whole procedure isn’t terribly difficult. As always with this kind of hacks, however, proceed with caution and follow the instructions to the letter.

Project Rimino

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Perhaps the Web and the tech would have already talked about this project at length, I don’t know. I just discovered it and spent some time browsing the Rimino project website, which gives a detailed and in-depth overview of what this is all about. And since it fascinated me, I thought it was worth sharing.

From the Summary page:

Rimino” is Amid Moradganjeh’s Masters thesis project at Umeå Institute of Design in collaboration with Microsoft and under the supervision of Donald Barnett.

A Human Touch on Mobile Experience

Project Rimino redefines mobile experience through human factors research and design thinking. Informed by human experience, the project is guided by six core design values. The design values are derived from the demands and the aspirations of the user and are used to define the overall user experience.

The Rimino concept is an E‑paper mobile device with a user interface inspired by print posters. Historically, as technology has progressed, devices have become more conspicuous. Rimino challenges this trend and presents the alternative: technology that is more integrated and more sensitive to the human experience.

Rimino concept video represents a future that is envisioned to be more aligned with what we need and want as people instead of our needs and wants being dictated by technology. It also shows how design can be used to introduce behaviors that are less influenced by technology and are more human-like. 

Concepts like this are better seen in action than described, so I think you should start by reading the Summary article and watch the video on that same page. But please, if you have time, explore the whole site to have a better idea of the design process.

I think you’ll find — as I found — some interactions and gestures to be a bit unfamiliar, and the concept to be perhaps too far-out or futuristic (for one of the most important gestures, you’re supposed to bend the device, for instance). But you should try not to think in terms of current multi-touch interfaces, because this is an entire rethinking of how we interact with mobile devices. 

The Rimino project is still at a purely conceptual stage (what you see in the video is a mockup, not a working prototype), but I really like this kind of approach, and what I like most is the idea of a device that is somehow aware of its surroundings, with an UI based on context-sensitive tasks. It’s a daring project that I hope will develop into something tangible.

The Shareware CD Archive

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A considerable archive of shareware CDs to browse, download and enjoy, made available by the fine folks at the Internet Archive. To quote an excerpt from the introduction, While many of the CDs contain shareware programs, a number branched into music, graphics, animations and movies. Additionally, the advent of an internet open to the general public heralded massive collected sets of files which CD makers happily mirrored and made available to the BBS market. Eventually, as operating systems like Linux and FreeBSD became more widely available, CDs were perfect distribution mechanisms for the very large libraries and file collections associated with them.

There’s stuff for Mac users, too. MacAddict’s Shareware Cover discs have been recently added to the collection, starting from #93 (May 2004).

Source: The Shareware CD Archive : Free Software : Download & Streaming : Internet Archive

To see a list of all items (most recently added first), start here.

The consistency of the message in Apple’s advertising

Tech Life

When I watched the commercials Apple has created for the iPad 2 (you can watch them on the iPad page at Apple’s site), my first reaction as a long-time Mac user was to feel familiarity, some kind of déjà vu. In their form, even before analysing the content. The direction, the style and their persuasive voice-overs are all elements that bring me back in time, to Apple’s advertising campaigns of the 1980s and 1990s.

Take the first iPad 2 ad, We believe. I remember reading some of the reactions around the Web which seemed to characterise this ad as emblematic of the ‘new course’ of Apple, of the new ‘Post-PC era’ in which the personal computer, the computer for everyday people, does not look at all like the computers we’ve seen so far, but takes the form of a tablet. A tablet which — thanks to its physical characteristics, but also to its operating system and user interface — becomes almost a tabula rasa, a device so sophisticated as to disappear to make room for human creativity.

This is confirmed by the copy of all five ads released so far:

This is what we believe. Technology alone is not enough. Faster, thinner, lighter — those are all good things. But when technology gets out of the way, everything becomes more delightful, even magical. That’s when you leap forward. That’s when you end up with something like this. (“We believe”)

If you ask a parent, they might call it intuitive… if you ask a musician, they might call it inspiring… to a doctor, it’s groundbreaking… to a CEO, it’s powerful… to a teacher, it’s the future… if you ask a child, she might call it magic… and if you asked us, we’d say it’s just getting started… (“If you asked”)

Now we can watch a newspaper, listen to a magazine, curl up with a movie, see a phone call, now we can take a classroom anywhere, hold an entire bookstore, and touch the stars. Because now, there’s this. (“Now”)

We’ll never stop sharing our memories, or getting lost in a good book… We’ll always cook dinner and cheer for our favorite team… We’ll still go to meetings, make home movies, and learn new things… But how we do all this will never be the same. (“We’ll always”)

Are you curious about new ideas? Do you want to learn a new language? Or just a new word? Maybe you want to know more about anatomy? Or astronomy? You could master something new. Or uncover a hidden talent. There’s never been a better time to learn. (“Learn”)

The text of We believe is almost a statement of that, and the other four ads further expand on the theme taking different angles. These ads are beautifully two-fold: on one hand they’re all about the product, which is always, literally, at their centre. On the other, they go beyond that same product: the device is like a window through which you can see what can be done when you combine human creativity with technology (the subtext is “with the right tool”, of course). Without this powerful combination, the iPad is just a thing.

To many people who are new to Apple (perhaps their first purchase was not even a Mac, but an iPod or iPhone or iPad), this message — Technology alone is not enough — may sound new and revolutionary. Actually, it has always been one of the key principles of Apple’s philosophy since the original Macintosh. A message that’s been routinely proposed in various forms and from different perspectives in Apple’s advertising language for the last thirty years.

Let’s start from afar: one of my favorite Apple commercials dates back to 1983, before the Macintosh. It was created to advertise the Lisa, and the protagonist is a young Kevin Costner, who plays an atypical business executive (the parallel with Steve Jobs is self-evident). In the video we see Costner in the early morning, bicycling and walking the dog, and at first he looks like a guy enjoying a holiday or a weekend. After a few moments, however, we discover that he’s actually going to work. He brings the dog in his office, sits at the desk and checks some charts on his Lisa. The phone rings, we learn it’s his wife, and Costner says: Yeah, I’ll be home for breakfast and smiles. Even just looking at the visual narrative you can guess the message that technology (and specifically Apple’s technology), by adapting to our lives, makes our lives easier; the voice-over further emphasises this:

The way some business people spend their time has very little to do with the clock. At Apple, we understand that “business as usual” isn’t anymore. That’s why we make the most advanced personal computers in the world. And why soon there’ll be just two kinds of people: those who use computers… and those who use Apples.

[The transcript is mine. Apologies for any mistake I may have made.]

Yes, it is a message from 1983, and the direction was already drawn. Apple already presented its products as an alternative — as the alternative — on many levels. Not only were they different products from those of other computer brands, they were products of a company that doesn’t view technology as an end in itself, but as a means to improve people’s lifestyle. Technology is a tool we can take advantage of to express ourselves and our creativity. It’s not something to be worshipped or fetishised.

Looking at many other Apple commercials in the following years, we see that in most cases the focus is not so much on the computer itself, its technical specifications, or the technologies it incorporates, but rather on the interaction between man and device, an interaction obviously beneficial to man. In the famous 1984 ad, you don’t even see the Macintosh — once again, the message goes beyond the computer (You’ll see why 1984 won’t be like ‘1984’, i.e. it won’t be a world without freedom like in Orwell’s novel). In another fairly well known commercial, The Power To Be Your Best (1990), the Macintosh can be seen only at the end, after an overview of different human activities, while the voice-over says:

Think of all the power on this earth, the power of nature and human beings, the power of spirit, and speed, and determination, and then realise that of all these powers, none is more important than the power that resides within the minds of us all, the power to learn, to communicate, to imagine, to create… The power to be your best. 

(Again, note how the emphasis is put on creating and learning, and that this copy could be practically reused for another iPad commercial with very little editing).

The other two famous advertising campaigns of the nineties (Power is Macintosh and Think Different) don’t deviate much from this line — that intersection of technology and liberal arts where Apple has been standing not since the iPad, but since Apple’s very own inception. Creating better products that make people’s lives better, in an infinite loop where human creativity creates better technological tools to enhance human creativity. You can say it’s a powerful mix.