A great Rands diptych

Handpicked

Usually, Rands doesn’t post very frequently, but each time he does publish an article, it’s always a treat. Among other things, he is very good at analysing behaviour in general, and nerd behaviour in particular (see the seminal The Nerd Handbook, which is the way I was introduced to Rands’ writing back in 2007).

I was eager to know what were his thoughts about Mac OS X Lion’s interface, and I frankly did not expect a specific post about it, much less two posts. Yet, to my surprise, between July 29 and July 31 he posted The Desktop Transition and The One Rule, both highly recommended reading.

Rands has managed to convince me that Mission Control may be more effective than the previous combination of Exposé and Spaces. The only point I’m still unconvinced about and upon which I don’t agree with him is (you guessed right) when he talks about the new, ‘natural’ scrolling direction in Lion:

For those of you not familiar with the situation, in the latest release of Mac OS X, Apple reversed the scrolling action. Your scrolling wheel or your two-finger trackpad drag go in the opposite direction. Cruel joke, right? Did they swap the left and the right buttons on the mouse, too?

For an action I perform hundreds of times a day, I’m shocked that I’ve left natural scrolling on and now that I’ve become used to it, I’ll explain why old scrolling is actually wrong. That’s right. We’ve all been doing it wrong because it’s not how we think.

Try this. Go grab your closest iPhone or iPad, turn it on, and scroll… in any direction. Do it a couple of times, have some fun. Now stop. Before your next scroll, I want you to think what your brain would do if when you put your finger on the screen and slid to the right if the screen went to the left. Usability disaster, right? No way I’d ever convince you that was the right way because you would argue “that is the natural way for it to work”.

I agree.

It’s called natural scrolling because the scrolling works how your brain expects. I know this because each time I’ve scrolled and thought, “Whu…?” I remind myself: “Think as if your finger was on the screen” and then I’m content.

In usability terms, if you have to resort to thinking to correctly execute an action, something’s not exactly right. I’ve already expressed my thoughts regarding this particular gesture in Lion, but I’ll say that again: there isn’t a right or wrong way of scrolling. There are two different interfaces: in one you manipulate objects by directly interacting with them on the screen with multi-touch gestures. In the other you manipulate what’s on screen indirectly. No matter how intuitively (see Magic Trackpad): unless Apple starts introducing Macs with multi-touch displays, their interfaces will always be operated indirectly.

Gesturing on a trackpad seems a rather acceptable compromise to interact more directly with interface elements on a Mac, but there’s always some kind of abstraction involved: to scroll ‘naturally’ on a Mac you have to think as if the text you’re scrolling were on your trackpad or, as Rands puts it, as if your finger were on the screen. Put this way, this isn’t much different from the kind of abstraction that there is behind the scrolling on the classic Mac OS up to Snow Leopard — i.e. the reason why you scroll down to move text up is that you’re not operating on the text itself, but you’re grabbing the scrollbar and using it to move the text for you, so to speak.

This, up to now, has been considered an effective abstraction to scroll text on a mediate interface: you operated the scrollbar as a slider, as a counter-weight, so you scrolled in the direction you wanted the scrollbar/slider to go. With Lion, you have to change your target (not the scrollbar anymore, but the text) and think like you’re using another interface, iOS’s. I still question the effectiveness of this shift, since not everyone on a Mac uses the same input device (there are mice, trackpads, even graphic tablets), while everyone with an iDevice uses their fingers.

Some observations regarding digital news

Tech Life

I wanted to add a brief, personal observation to the ongoing debate regarding the crisis of digital news and news in general. Not as someone who works in the sector — I don’t. Not as a web designer — I’m not one. Just as a reader, as a consumer of news, as a mere observer. 

This post has been inspired by a recent, very interesting piece by Andy Rutledge called News Redux. Rutledge expresses his views on the matter in a compelling way, in such a manner that hardly passes unnoticed, especially among other designers and people belonging (in various capacities) to the field he criticises.

His opening statement sets the tone:

Digital news is broken. Actually, news itself is broken. Almost all news organizations have abandoned reporting in favor of editorial; have cultivated reader opinion in place of responsibility; and have traded ethical standards for misdirection and whatever consensus defines as forgivable. And this is before you even lay eyes on what passes for news design on a monitor or device screen these days.

The rest of his article illustrates what, in Rutledge’s opinion, is wrong with digital news and their presentation, then he constructively displays how he would work towards a possible solution to the issue. And you know what I think? That his criticism hits the mark nicely. I understand he has chosen The New York Times just as an example to demonstrate a more general problem, but in analysing the Times politics page, he points out exactly all the details that confuse and irritate me as a reader. Every one of them. And I believe that his criticism stems from his frustration as a reader first and foremost, and then as a designer. 

Reading news online has undoubtedly all the advantages of the here and now nature of the Internet, so you can always count on updated news, plus your experience is supposedly enriched by photo galleries and videos. But when it comes to browsing and actually reading news stories, I still enjoy a better reading experience with a physical newspaper. Recently, the only online newspaper I can read from my computer is the Guardian, but in the ‘readable’ version created by Phil Gyford. About this particular project, Gyford’s thoughts on why he decided to do it are worth a read as well. I concur on every point he makes regarding what he calls the “three main issues that a better online news-reading solution should address — Friction, Readability and Finishability”.

In the Finishability section of his article, Gyford perfectly explains something that has been bothering me for a while about news websites:

When I read a newspaper I’m holding a coherent package of news. “Here,” it says, “is what you should know today.” Once I’ve read it — or, at least, flicked through it — I know I’m up to date. I don’t need to read anything until tomorrow’s newspaper, which will catch me up with everything that happened in the intervening time. And while I’m reading the paper I know how much there is remaining — the pages in my right hand — and I know when I’m done.

This is very much not the case with a news website. There is no sense of an ending. There is no way I can be sure I’ve at least decided whether to read “everything”. There is, on most websites, no way I can be sure I’ve seen all that’s been published since I last visited.

This is fine if you visit frequently, or rarely, or sporadically. If you just want a dose of what’s happening “nowish”, news websites are designed to show you that. But if you want the equivalent of a newspaper — “Here is what you should know today” — you’ve gone to the wrong place. Not everyone does want this, many people just want “nowish”, but if and when you do want something else, there’s nowhere to go online, no daily newspaper equivalent. 

I understand that designing websites like The New York Times or The Times is not easy, and that probably designers would do a better job if they could work without interferences, but both Rutledge and Gyford are right: these websites should be made more reader-friendly. 

What I like to call the “giant News Tree”, since the advent of the digital age, has been cut in two smaller trees — the online news and the paper counterpart — hoping they could both live long and prosper by taking advantage of their respective strengths. Instead, we’re reaching a peak where both disappoint: the regular newspaper feels limited compared to the always-updated website; the news website disorients the reader by offering too much information on a single page, in a mix of relevant and irrelevant details which do not create an overall pleasing, satisfactory reading experience.

The @-symbol

Handpicked

Like the ampersand, the ‘@’ symbol is not strictly a mark of punctuation; rather, it is a logogram or grammalogue, a shorthand for the word ‘at’. Even so, it is as much a staple of modern communication as the semicolon or exclamation mark, punctuating email addresses and announcing Twitter usernames. Unlike the ampersand, though, whose journey to the top took two millennia of steady perseverance, the at symbol’s current fame is quite accidental. It can, in fact, be traced to the single stroke of a key made almost exactly four decades ago.

Source: Shady Characters » The @-symbol, part 1 of 2.

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If you haven’t subscribed to Shady Characters, I strongly suggest you do if you’re curious about the history behind some characters we take for granted, like the ampersand (&), the octothorpe (#) or the pilcrow (¶), and perhaps lesser known symbols like the interrobang (‽). Keith Houston’s writing style is excellent, and his posts well-researched and annotated. Great contributions in the comments as well.

The next MacBook lineup

Tech Life

According to a MacRumors article I read yesterday, Apple is supposedly working on a 15″ ultra-thin notebook which will be released soon. I usually don’t pay much attention to rumours, but this makes a lot of sense. And seeing how the gap between the 13″ MacBook Air and the 13″ MacBook Pro is narrowing, one has to wonder about the shape of things to come in the next reorganisation of Apple’s notebook line.

Thomas Brand and Shawn Blanc both believe that the 13″ MacBook Pro’s life-cycle is coming to an end. Thomas Brand writes:

Customers who want portability are going to choose the MacBook Air. Customers who want performance are going to choose the 15 inch MacBook Pro. The 13 inch MacBook Pro is an awkward compromise kept around for cost conscious compatibility. It includes all of the legacy ports and optical drive the Air lacks, while retaining a sub $1,500 price tag for customers on a budget. 

Shawn Blanc ventures a guess about a possible future MacBook lineup:

Want to know my wild guess on how it will all pan out? I see it happening something like this:

  • Apple introduces a 15-inch MacBook Air.
  • The Air lineup (11, 13, 15) becomes the premier family of laptops.
  • The 13-inch MacBook Pro gets discontinued.
  • I wouldn’t be surprised if the 15-inch MacBook Pro (as we know it today) gets discontinued as well. I could see the MacBook Pro line as only being available in the 17-inch model, the way the MacBook model was only available in 13-inch. 
  • I do believe as well that Apple is going to introduce progressive changes in its family of portable machines. My guess is similar to Blanc’s, with some slight differences:

    1. Apple will introduce a thin 15″ machine, but it will remain under the label ‘MacBook Pro’;
    2. The current 13″ MacBook Pro will be discontinued;
    3. ‘Air’ and ‘Pro’ will be used to differentiate between consumer and prosumer models, so we’ll have the 11″ and 13″ MacBook Air on one side, the thin 15″ MacBook Pro and the regular 17″ MacBook Pro on the other;

    The reasons why I think the 15″ model will retain the ‘Pro’ label are mainly two:

    1. Albeit thin, due to its screen size it won’t be such a lightweight machine as to be called ‘MacBook Air’;
    2. This new thin 15″ machine will probably have enough room for some additional ports, like a FireWire 800 or a Gigabit Ethernet, enough (at least for Apple) to still consider it a pro machine.

    It can also happen as Blanc foresees, in that case Apple may even drop the ‘Air’ from the thin line of portables, calling them just MacBooks and keeping the 17″ model as it is today (with all its ports and optical drive) as the only MacBook Pro.

    In any case, I can’t wait.

    The War in Hipstamatic

    Handpicked

     

    The War In Hipstamatic

    An elderly refugee from Helmand province at the Charahi Qambar refugee camp — (Photo: Balazs Gardi)

    Source:  The War in Hipstamatic — An FP Photo Essay | Foreign Policy.

    Whenever I look at war photography and photographic reportages like this, my feelings get rather conflicted, as I’m both fascinated by the beauty of the photography and horrified by the context. This photo gallery is absolutely amazing and captivating. The multi-page navigation, usually irritating, in this case is almost necessary to give the viewer a moment of pause between the images. I’ve chosen one of the snapshots that most impressed me: the expression of the old man is a whole story in itself.

    [via a tweet by @masolino]