Bean no longer actively developed

Software

Bean html web

James Hoover, the developer of Bean, writes:

The venerable Bean word processor has been around since 2006, evolving while keeping a focus on speed, stability and simplicity. Folks liked the live word count (thanks again to Keith Blount for the code), the full screen mode, alternate editing colors, and the zoom slider. Later versions added features that continue to make Bean distinctive, such as split window editing and a tabbed document interface.

After the release of Bean 3.2.2, active development of Bean will cease. Bean will remain available for download at the bean-osx.com website. It may even be updated as necessary to keep the app running on future versions of OS X. Also, I’ll try to continue technical support at the usual email address.

Bean has been my word processor of choice for all my PowerPC Macs, and I’ve been keeping an up-to-date copy on my MacBook Pro as well. It is really a great tool and it’s a pity it won’t be developed in the future, although I fully understand Hoover’s reasons. Free tools of this quality are a rare find, so I’ll keep relying on it when I have to handle documents on my PowerBooks and other PowerPC Macs running Tiger or Leopard. 

This line in Hoover’s announcement saddened me in particular (emphasis mine):

Also, fewer and fewer people will use Bean in the future since I do not publish Bean on the App Store (which sells numerous closed-source rip-offs compiled from the GPL v.1‑licensed Bean 2.x source code).

And on a closing note, I want to publicly thank James Hoover for all the time and efforts he has been putting into this project for the past six years.

Decommissioning the original Apple Wireless Keyboard

Tech Life

Apple keyboards old and new

The original Apple Wireless Keyboard, while not perfect, is definitely my favourite Apple keyboard after the Apple Extended Keyboard and Apple Extended Keyboard II. It’s the model A1016 and was introduced in 2003. I’ve been using it since 2005, and for me it combines the best of many worlds:

  1. It’s mechanical
  2. It’s extended
  3. It’s wireless

When Apple updated its standalone keyboard lines in 2007, and introduced the thin, aluminium models still in use today, made a choice that presented a problem for me (and, I presume, for people with my same typing habits): the new Wireless keyboard was not extended. Model A1255, later updated to A1314, had the same key placement as the keyboards in Apple’s laptops. If one wanted an extended keyboard, the only option (from Apple) was the wired A1243 model.

I actually purchased a new, non-extended Apple Wireless Keyboard last year, to see if I really missed the numeric keypad and special keys after some use. I quickly discovered that I did, so I passed that keyboard to my Power Mac G4 Cube along with the Mighty Mouse, so that I could free another USB port and go totally wireless with the Cube. As for my main setup, I decided to keep the original Apple Wireless Keyboard (alternating with the ADB Apple Extended Keyboard II every time I needed to recharge the batteries).

But recently things got worse when suddenly the right Shift key started being unresponsive. And then two days after it was the turn of the Up Arrow key. Then the right Ctrl key. Then the Esc key. Then the right Option and Command keys. Then the F15 key (assigned to a frequently used shortcut). I tried to go on for a while even with this loss of functionality, but eventually I had to give up. The problem, of course, was: which would be its successor?

I thought of some candidates. The first coming to mind were mechanical keyboards, because I type a lot and prefer their feel. So, the Mathias Tactile Pro and the Das Keyboard were the first off the top of my head. A further Web search brought more results in the mechanical keyboard department: you can see a lot of them summarised in this forum post called The Mechanical Keyboard Guide. But the funny thing is, none of these keyboards has the three features of the original Apple Wireless Keyboard mentioned above. All of them are mechanical, most of them are extended, none of them is wireless. Additionally, it seems quite difficult to find a modern wireless mechanical keyboard with Italian layout.

The Italian layout is another strict requirement for me, because that’s the layout I’ve mostly typed with in the past 25 years or so. I write in Italian, English and Spanish mostly, and a US keyboard layout is problematic because the accents aren’t readily available: I’d have to memorise two different shortcuts for the acute and grave accents, and then type the vowel I need accented. It’s doable, mind you, but it really slows my typing speed. On a keyboard with Italian layout, instead, there are specific keys for accented letters (ì, è, é, ò, à, ù).

Since I needed a new extended keyboard quickly, my temporary solution has been to ask my wife to get me a modern Apple Keyboard with Numeric Keypad (pictured above) for my birthday, ordering it from the Apple Store online because you can specify the layout when you choose it. The next day the DHL courier was already at my door with the keyboard. As I said, this solution is temporary while I keep looking for possible candidates (I’m open to suggestions if I missed something): this keyboard is not mechanical and is not wireless, but at least it’s extended and with an Italian layout. The media keys are rearranged but their placement is very similar to the MacBook’s keyboard, so I got used to them rather quickly.

As for typing on the keyboard itself, it’s actually better than I feared, though I’ve found out that after long typing sessions my fingers get more tired than with the previous Apple Wireless Keyboard and with other mechanical keyboards I have used in the past. A great feature of these new flat Apple keyboards is that they’re really easy to clean and they don’t get as horribly dirty as the previous Apple Pro Keyboards (especially the white models) and the original Wireless Keyboard. That it could get very dirty and visibly so — especially in nooks and corners that are almost impossible to clean properly unless you wash the entire keyboard — was the only single downside I found in the original Apple Wireless Keyboard. Something I attempted to mitigate by covering the keyboard with a silicone skin, but it turned out to be a poor workaround because it didn’t take me long to wear out the silicone skin over the most used keys. And it tended to slow me down while I typed.

A few months ago, Mathias told me over Twitter they were working on a mechanical Bluetooth keyboard, and I’m really looking forward to such a product, although the lack of Italian layout could still be a deal-breaker. Looking for another Apple Wireless Keyboard on eBay could be another option, although I’m not particularly eager to deal with a used (read: dirty) keyboard. If I’m lucky maybe I’ll found some new-in-box model. But really, is it too much to ask for a wireless, mechanical, extended keyboard also available with an Italian layout? So far, it would seem so.

Correction

A few people have pointed out that the original Apple Wireless Keyboard isn’t an entirely mechanical keyboard, but rather a Dome-switch keyboard. It’s true and I stand corrected. My point, however, is that even a dome-switch keyboard like that is preferable to the current Apple Keyboards (wired and wireless) and similar keyboards which have a scissor-switch mechanism. Long typing sessions are much less fatiguing, plus the original Apple Wireless Keyboard has a nice ergonomic arching of the six rows of keys. Compare its profile with the newer Wireless Keyboard in this picture:

Apple wkeyboards sideview

And I’m still looking for a (good quality) wireless, mechanical, extended keyboard with an Italian layout.

Esprimersi in bianco e nero

Mele e appunti

Leggendo il blog di Fabrizio Rinaldi, ho notato un articolo con cui mi trovo particolarmente in accordo. Si intitola Se non è perfetto fa schifo, e in esso Rinaldi condivide alcune riflessioni sulla progressiva semplificazione — o impoverimento — del metro di giudizio che molte persone manifestano online, partendo da Twitter, ma non solo.

La conseguenza tanto estrema quanto frequente è che la discussione finisca – se ha avuto modo di iniziare, si intende – con un asettico «c’è il tasto defollow». [Per dire: puoi smettere di seguirmi.] È deprimente. Anche quando non si arriva a tanto, la scarsità dei caratteri a disposizione e anche il modo in cui ci rapportiamo a questi strumenti per comunicare, rischia sempre di far sì che si finisca per dire bianco o nero, dimenticandosi della scala di grigi che giace dimenticata nel mezzo.

Oltre ad aver notato lo stesso fenomeno, aggiungo che più si va avanti, più questi strumenti per comunicare mi sembrano essere nient’altro che strumenti per trasmettere. È un paradosso di cui ho già avuto modo di parlare: oggi abbiamo a disposizione una varietà di strumenti di comunicazione impensabili soltanto cinquant’anni fa. Abbiamo dispositivi, tecnologie, protocolli grazie ai quali possiamo scambiare messaggi, fotografie, video, istantaneamente con più persone all’altro capo del mondo. Eppure è come se, in fondo, finissimo con il comunicare peggio. C’è una frattura che tende a separare sempre più l’ascolto e l’espressione, la ricezione e la trasmissione. Si ‘comunica’ di più e ci si comprende meno. Se pensate che sia un’esagerazione, un esempio banale: vi è mai capitato di fraintendere qualcuno per aver letto un suo messaggio troppo superficialmente, o per aver decontestualizzato una sua frase che a tutta prima ‘stonava’, saltava all’occhio e vi irritava al punto da non fare caso alle sue spiegazioni o giustificazioni, o magari semplicemente perché mancava dell’emoticon giusta al posto giusto? 

E se avete mai partecipato a qualche estenuante discussione su forum, mailing list e affini, vi è mai capitato di pensare Mi sembra di star parlando un’altra lingua quando l’interlocutore di turno travisava persino i vostri passaggi più chiari e apparentemente banali? 

Ho sempre considerato la comunicazione come qualcosa di veramente costruttivo: un ascoltarsi reciproco, innanzitutto; un mettersi in gioco mentre ci si confronta su un argomento qualsiasi, per imparare qualcosa gli uni dagli altri. In teoria, questo è arricchito quando a confrontarsi sono interlocutori con specialità differenti: la competenza dell’uno può aiutare l’altro a colmare lacune, a correggere preconcetti, e così via. Io ho appreso moltissimo da persone che evidentemente ne sapevano più di me in certi ambiti, e mi auguro che la cosa sia stata reciproca. L’elemento chiave è l’ascolto, la ricezione. Oggi, online, è evidente come siano la trasmissione e l’espressione ad avere la meglio. Tutti scrivono, tutti dicono, tutti hanno un’opinione e te la devono propinare a qualsiasi costo e di fronte a qualsiasi obiezione. E alla fine di una discussione, se di discussione si può parlare, ognuno rimane fermo nelle sue posizioni. Non c’è arricchimento, solo sfinimento e irritazione.

Continua Rinaldi:

Mi sto accorgendo sempre più spesso che in generale c’è qualcosa che non va nei nostri metri di giudizio, e mi sono accorto che se io cerco sempre di valutare le cose in modo equilibrato (molte volte, inevitabilmente, senza riuscirci), la maggior parte delle persone si accontenta più o meno di qualunque cosa senza preoccuparsi troppo, limitandosi ad un “Mi piace” o “Non mi piace” (anche se siamo in un momento storico che sembra volerci far piacere tutto a prescindere).

Sì, siamo in un momento storico in cui la presenza di Internet nelle nostre vite sembra agire negativamente sulla nostra capacità di discernere, di giudicare in maniera articolata. Finiamo con l’impigliarci nelle dicotomie forzate delle reti sociali, e le nostre espressioni per giudicare diventano pulsanti “Mi piace” / “Non mi piace”, o il pollice su / pollice giù di YouTube. O anche le valutazioni con le stelline sugli App Store vari: qui è utile leggere le critiche, perché malgrado il giudizio sia esprimibile con sfumature che vanno da una stella (“orrendo!”) a cinque stelle (“fantastico!”), le critiche degli utenti sono molto più polarizzate (e ingiuste: vedasi i giudizi a una stella dati perché un’applicazione venduta a 89 centesimi viene considerata un furto).

Ma non è questo atteggiamento a crearmi disagio – anzi, si potrebbe dire che è assolutamente legittimo accontentarsi di tutto – bensì quello di una minoranza di esperti che pretende che ogni cosa sia stupefacente oppure una merda, come se non potesse esistere nulla nel mezzo. E con esperti intendo esperti in qualunque cosa, dalla cucina al filmmaking. […] Non voglio dilungarmi oltre, ma il punto è che ritengo che non esista un livello di expertise che renda legittimo il considerare qualunque cosa che non sia perfetta, un disastro totale.

È vero, e la cosa ancora peggiore è che spesso a muovere certe critiche trancianti condensate in una frase (o in una sola parola) non sono nemmeno esperti, ma persone che si credono tali solo per aver letto un paio di libri su un determinato argomento. Giusto un anno fa scrivevo in Siamo tutti bravi:

…Mi riferisco al liquidare il lavoro altrui in quattro parole, in un commento magari condito con quel pizzico di acidità per fare il figurone con la propria cerchia di conoscenze (online e offline). È ancor più irritante quando la critica è rivolta a un prodotto che nemmeno si è provato, o che si è provato per un intervallo di tempo assurdamente breve. Intendiamoci: capita di imbattersi in quell’applicazione, servizio, dispositivo che sappiamo da subito non ci sarà utile. Purtroppo, dalla preferenza personale al sentenziare che l’oggetto in questione è inutile, sarà un flop, è progettato da schifo, il passo è sempre più breve. Ultimamente pare che sul Web tutti diventano ingegneri, designer, progettisti, tipografi, sviluppatori e — soprattutto — punti di riferimento del buon gusto dall’oggi al domani, nel giro di un post o di un tweet. Mi stupisco che non si viva già in un mondo migliore, vista la quantità di gente così in gamba nel giudicare in un istante quel che è buono e ciò che va scartato. 

Anche qui, in un mondo ideale l’esperto, quello vero, è qualcuno dotato appunto dell’esperienza necessaria che dovrebbe permettergli di non vedere il mondo o bianco o nero. L’esperto, quello vero, dovrebbe essere una figura dotata della raffinatezza necessaria a esaminare le sfumature di grigio, ad apprezzarle, e a esprimere un’opinione o giudizio che riflettano tali sfumature. Ho avuto la fortuna di incontrare persone così (in carne e ossa o attraverso Internet), ma sembrano ogni giorno più rare. 

Oggi sembra che il successo e la popolarità abbiano più valore dell’esperienza vera e propria in un determinato campo. Ho assistito tempo fa a una discussione su Twitter fra un Web designer sicuramente in gamba, e piuttosto popolare e un altro Web designer molto meno noto ma evidentemente più competente in materia. La sua maggiore competenza sarebbe risultata evidente a qualsiasi persona che si fosse presa la briga di andarsi a leggere una serie di articoli che questo tizio aveva pubblicato sul suo sito. La discussione, invece, ha coinvolto svariati fan del designer più noto e più carismatico, e quando costui ha detto all’altro che sostanzialmente non aveva capito un accidenti del suo punto di vista, i fan hanno fatto il coro e l’altro designer ha semplicemente lasciato perdere perché era evidente che non si andasse da nessuna parte. 

Perché ho fatto questo esempio? Perché ritengo che fattori come il successo e la popolarità incidano negativamente su determinate figure di esperto e che contribuiscano a farle diventare quegli esperti dal giudizio veloce e sentenzioso — “Se non è perfetto fa schifo”, appunto — che mettono a disagio Fabrizio Rinaldi e me, e chi la pensa come noi. Speriamo che l’umiltà torni a trovarci prima o poi.

A history of Apple’s mice

Handpicked
Apple Mouse M0100

The Apple Mouse M0100 I use with my Macintosh 128K. According to its serial number, it was manufactured in USA in the 38th week of 1985.

Stephen Hackett has written a nice overview of the various mice Apple has produced from 1983 on.

The only part I disagree with is about the ‘hockey puck’ USB mouse (Model M4848) Apple introduced in 1998 with the first iMac G3. Hackett inserts his curt comment in the photo:

And writes:

The translucent plastic housed a circuit board and two tone rollerball that could be seen easily. However, the perfectly round body often led to mistakes, as users would assume the mouse was in the correct orientation, even if it wasn’t. Apple later added a dimple to the mouse’s body to help users feel which direction the mouse was pointing.

[…]

Besides the shape, users also complained that the cable was too short on the USB mouse. Originally designed to be plugged in to the side of Apple’s new USB keyboard, notebook users found out the hard way that the cable was simply not long enough.

Mercifully, Apple put the USB Mouse and the company’s customer base out of their misery just two years later.

My experience with this mouse is entirely different. I’ve used it on a daily basis from 1999 to 2003 with my blueberry slot-loading iMac G3 and it was my mouse of choice when I used my PowerBooks in desktop configuration up until 2008, and I’ve never had a problem with it. As I wrote back in January 2008 in a piece called A brief retrospective on failures:

I don’t quite understand the general bashing (perhaps it’s nicknamed ‘hockey puck’ not for its shape, but after all the bashing). Perhaps it’s just me and my slim, long-fingered hands, but I’ve been using one for 9 years without a problem. It has to be handled slightly differently than a more elongated mouse (like the Apple Pro Optical Mouse or the Mighty Mouse, for example), and you can’t expect to be resting your hand on it. The way I hold it (putting my thumb and little finger at either side of it and using the forefinger and the middle finger to press the button) has made it the most comfortable mouse I’ve ever had, believe it or not. Before using that mouse I frequently ended my day with an aching wrist – that issue disappeared after using the round mouse. In conclusion, I don’t know and I can’t say whether the round mouse has been a huge fiasco or not. On a strictly personal level, it has not. That’s why I thought I’d mention my positive experience with that mouse – a voice out of the bashing chorus.

It may sound odd, but my best experiences with Apple mice have come from using two of the most ‘difficult’ and criticised models, the USB round mouse and the Magic Mouse. They’re both mice on which you can’t just rest your hand, and they somehow force your hand to handle them more actively. Perhaps it’s this aspect that prevented me from suffering from carpal tunnel syndrome. Other mice I’ve used — like the Mighty Mouse and other non-Apple mice back in the 1990s — put indeed my hand at rest, but also transferred the strain to the wrist. Both the ‘hockey puck’ mouse and the Magic Mouse, in my experience, present an acceptable tradeoff: your hand can’t rest comfortably on them all the time, but there’s no strain or stress transferred to the wrist. At the end of a 15-hour day using a mouse, it makes a lot of difference.

My way of applying minimalism to tools

Software

This is really a great time for choosing among an impressive variety of third-party software for Mac OS X and iOS. What’s more: there’s a lot of high-quality applications out there, at very affordable prices. When talking about workflow and productivity — two of the most abused words in recent times — the usual advice is that you should find out what are the best tools for you in order to increase productivity and decrease the friction in your workflow. 

Typically, discovering such best tools is accomplished by following a trial-and-error process. You follow the advice or the example of people you trust, you download/purchase a series of apps, you try them and you see which ones ‘stick’, i.e. those that better fit in your workflow, and all’s well that ends well.

The problem I’ve had to face in my own personal path of workflow/productivity betterment is that there’s an increasing number of apps so specialised, so focused on performing one single task excellently, that to complete one step in my workflow, I would have to use two or three of them. Or there are several apps with a broader scope in the same category, and one ends up choosing two with overlapping features because App A is great at Features 1 and 2, and App B is great at Features 2 and 3.

I’m not making specific examples because the problem isn’t the apps themselves or how they’re designed, although I do think that in recent times there’s been a bit too much hype surrounding so-called ‘one thing well’ apps. The problem, in my opinion, is that we probably end up having more tools around than we actually need. Everybody loves cool little apps each doing one thing well, but my question is: are you really more productive and is your workflow really improving when you end up with 25 of such apps? Do you really feel your workspace as an elegant, minimal place to work in? (I’m talking of computer workspace, not the physical room you work in, although maybe it’s possible to extend the example to the physical space as well).

Don’t get me wrong. I love the occasional little utility that can ease certain aspects of my workflow. And I hate bloated, elephantine applications which try to do too many things and end up being usability and user-friendliness nightmares (iTunes, Word…). However, if I have to choose between (1) a single application that manages my calendar, my reminders and also acts as a quick notepad, and does that decently. And (2) three different smaller applications each managing one of those aforementioned tasks equally decently, I will probably choose the single application. For me, having fewer tools to check or switch to while I work is a preferable option than having to deal with a multitude of ‘one thing well’ little apps. Of course it’s not just a matter of quantity over quality, more like the balance between the two. When quality is enough, I really prefer solution No. 1 to solution No. 2 in the example above. 

If you’re raising a brow while reading this, I understand. The fact is, I focus more on the workflow than on the tools themselves. This recent wave of geek minimalism, in my view, tends to advocate a certain — how shall I say — ‘application fetishism’. So people download “Cool Little Photo Editor” which only crops, rotates and resizes pictures, so if they want to change contrast or saturation, they’ll have to download “Cool Little Colour Variator”… Both these two fictitious tools have great interfaces and look nice, but you see where this is going. Where’s the minimalism in piling up two, three, four little tools when a medium-sized single tool could perform the same tasks just as well (albeit losing a bit on the overall coolness factor)?

Save a little friction

Speaking of tools and workflow, another word I’ve noticed popping up frequently in recent times is friction and the related quest for frictionless workflows or productivity or something like that. In this regard I offer another perhaps less popular perspective. Because I value the flow in workflow greatly, I don’t continually fiddle with applications and app combinations in a relentless quest for the Frictionless Holy Grail. I don’t rely on various tools that put too much automation in what I do: I want to retain a bit of friction because it saves me from falling into the ‘habit trap’. I learnt this the hard way, by relying on solutions that either were discontinued at a later time or stopped working when OS X Lion dropped Rosetta and PowerPC support.

In other words, I strive for a comfortable software setup for my work, but not too comfortable. Muscle memory is a bitch, and I purposely avoid setting up customised keyboard shortcuts or hotkey combinations, to refrain from doing too many things automatically and/or absent-mindedly. If this sounds awfully counterintuitive to you, consider that I also work on different Macs of very different vintages with four different keyboard layouts (Italian, Italian Pro, Spanish, US). Pressing key sequences without looking and just relying on muscle memory would be a problem in my (admittedly extreme) situation. 

This amount of friction that remains in my workflow isn’t as bad as it seems at first glance. Not falling into the habit trap allows me to be more flexible when something changes (an app is no longer supported, an app update removes certain features in favour of others, a minor or major OS update introduces instability or incompatibility with certain apps I use, etc.) or when I have to change something, like the machine I’m working on, or when my work requires the introduction of a new application so that I can take care of new tasks I’m asked to carry out. (For instance, sometimes a client requires me to use certain software, whether I like it or not).

Conclusion

Applying minimalism to the tools I use in my case means to fall back on a basic set of tools that can make for an efficient workflow, avoiding fragmentation as much as possible, and avoiding too many distractions brought up by having to deal with too many ‘one thing well’ little apps. For me, the flow in workflow always comes first: no matter how cool certain apps are in and of themselves, if they don’t fit in my workflow, if they fragment it, if they introduce additional steps or points of failure while trying to solve another problem, if they introduce unwanted distractions, then I reject them. Getting to know well the applications included with Mac OS X is crucial in this regard, because sometimes they might be more than enough to carry out certain tasks without having to add too many third-party applications to the mix. (I’m obviously generalising here — of course there are exceptions).

Finally, retaining a bit of friction in one’s workflow may not be that bad if it prevents from falling into the habit trap: applications change, operating systems change, hardware and software setups change accordingly, and staying in one’s too comfortable comfort zone might hamper one’s work or, worse, make users unreasonably averse to change, novelty, and progress.